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Giselle Mynx Video

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Giselle believes our society often undermines the importance of growing and maintaining deep connections with others, especially teachers. She says that the power of caring for one another can transform a person.

Where is the grit? Being deeply loved can make us strong, loving has the power to make us courageous. A teacher can change the course of our lives irrevocably for the better.

We all need people in our life like this. We need each other, we need kindness and to be kind. Human beings are like that.

According to Giselle, without her, none of this would have been possible. Subscribe to our mailing list. You see we were in the middle of nowhere and we had nothing to do during the night so we found a way to pretend we were at an expensive nightclub; the greatest idea ever.

How did engineer Robert Cheek along with Aram Deradoorian, Mike Sparks, Dusty Brown, Arlene Deradoorian, and so forth all inspire or influence the album, along with any of their multitude of offshoots and side projects?

Joe: All of these people are basically our best friends from Sacramento. Kris and I have worked with everyone in one way or another over the years.

They all came together for this record and brought their amazing talents in moment that will stand as a highlight in my musical life. The motivation to run, fly, and abandon the birdcage dollhouse of home is felt with the wanderlust flights of fancy to flea for worlds and times of never ending merriment.

With the single available September 15, and an upcoming September 12 show at Pianos with her backup band The Classic Kids; Mynx provides the bright visual component that finds her joined by her posse of Palina Lepeshko, Chloe Hooton, and Cassie Mills.

How has the move from Hollywood to Bushwick, Brooklyn contributed to your music and fashion aesthetics? I dyed my hair pink because I was inspired by spring here!

I was walking through Central Park and the cherry blossoms were falling like snow, pink petals swirling around me like fainting butterflies on the breeze.

I wanted to feel like that all the time so I dyed my hair pink. I love the electricity, the pulse of humanity, being constantly surrounded by people.

The rainbow of individuality, artistry, fashion colliding on the street, on the subway. The pulse of humanity is electric here.

For you, where do you find where the worlds of music, performance, modeling, art, and fashion all collide and make sense together-and where do you find they diverge from one another?

They all make sense that absolutely everything originates and flows from me. These worlds collide within me then I rip my veins, my heart wide open and bleed out….

Magnificent things are unfolding. The song tackles the subject of interracial dating in a tongue and cheek and funny kind of way and in the video the story follows a young Japanese college girl and her fight to love who she wants despite the disapproval of her parents, friends and other potential suiters.

It also has sword fights and magic in it! But unlike the the Shakespearean ill-fated fable, the end of the video finds our conflicted protagonist squaring off face to face in a samurai sword fight dual against her father.

When I got my first real taste of dating after the end of a relationship that ran from my teens to early twenties, I was ready to just get out there and meet some awesome new girls, and I guess I was naive or crazy, but it never really dawned on me that my race would be an issue.

I also have a lot of female friends who I have seen go through the same thing with guys they wanted to date from a different race.

Truth is that song wrote itself. All I did was take my past experiences, make them rhyme and put a dope beat under it. Stay with us after the video as we catch up with all the latest happenings from Gulfer.

Give us first the latest and great about what and who you all are feeling in the Montreal scenes these days. A few of us saw Dories the other day and they were phenomenal.

Commander Clark. It was great because at the time we had no idea those songs would end up on Topshelf so there was no pressure and few nerves on our end.

We were able to take our time and be a little overly analytical, and luckily we were just about finished with the tracks when Topshelf approached us.

In the past, Vincent has typically just written the songs entirely and then we all get together to write our own parts.

That was super fun! We felt very important. The ultra long-term dream is to maybe go back to Europe next year at some point. This band has been way more fun to be in when we started taking it less seriously.

Just enjoy yourself 1 first and foremost. Party until 6am in your kitchen with the bands Clique and Loose Tooth. You will have fun.

George Chen and Paco Romane present a special edition of their iTunes. Absurdity and obscurities abound. Subscribe to the Sub Doc podcast via iTunes , and catch up on all eleven episodes via Soundcloud.

From collaborating with The Go! Following the listen to her recent summer EP, stay tuned for our exclusive interview featured after the jump.

I asked if I could borrow if for a few weeks then started translating my classical repertoire to its tiny keys as well as writing original pieces.

Tell us about making your latest Wolf BBQ EP, and for you inspire these songs about birds, washing machines, wolves, and more?

I usually tend to prefer singing about the surreal. I often start off writing the instrumentals and then ask myself what the visual for the song might be.

How did you form a collaborative alliance with Kid Millions, and how do you describe the creative synergy that you two share?

I first heard of Kid through mutual friends as both he and I went to Middlebury College. Although we did not attend school at the same time, his band, Oneida, left a legendary presence at Middlebury so I knew I had to meet him.

Last year, I happened to be at a Tom Tom Magazine event, met him there, and then we met up to jam. He is a killer drummer who very much reminds me in his style of the legendary krautrock drummer, Klaus Dinger Neu!

How did the opportunity to work with The Go! A bit over a year ago, Ian Parton of the Go! Team until June when I opened for them across the U.

They really did a nice job fixing it up. Laying around with Cole; photographed by Anthony Fine. Check out Cole on his north American tour now with Chiffon with dates running through September 26, and our recent discussion featured after the listen.

Tell us about what sorts of sharp edges and events impacted the creation of the Edging EP. The move was a big change for me that quickly ruptured a creative block I had been experiencing.

Blending the worlds where EDM, EBM, euro and juke beats all sort of meltdown together; how do you go about creating these sorts of percussion heavy beat scapes.

Being in Brooklyn made my blood boil in a productive way. I was bombarded with new vibes, and began writing beats constantly.

Being around so much club and pop music really affected me and caused me to trim and hone my style to something more crisp and minimal.

While there are rich atmospheres that abound that are super brooding, there is also a sense of sparse economies here at work.

How do you manage this order of getting the most out of your sound via an approach of effective and efficient minimalism? A lot of the production is built by converting vocal riffs into midi notes.

I sing a melody idea or beat box a drum lick and convert it to midi notes. Was this intentional? There is definitely a sort of story arc happening with Edging.

As far as lyrical content and flow of the EP, Edging seems to follow the order of sexual process. First is the fantasy and flirting, then foreplay and penetration, and just before climax the piece tapers.

Edging is a sexual process used for prolonged periods of pleasure that can build into an explosive climax.

The follow up music that I would like to release will keep this same plot line, but will represent the long awaited ejaculation.

What are you the most stoked about now that your tour with Chiffon has kicked off? Touring with Chiffon has me totally blissed out.

They are both some of the kindest people and most talented musicians that I know. There are so many great stops on this tour.

Feels really good to turn it out, doing what I love the most every night. Hell, Acting Strange might be here to save our sorry souls after all.

Ali and Billy shared some long distance cables with us about the making of their Night On the Tiles EP with the following words:.

The EP is called Night on the Tiles , a shitty pun because we do everything in my kitchen. To record we used two identical Tascam 8 tracks that we had bought on sale when we were kids.

We badly need mic stands, currently we stuff a cocktail shaker full of kitchen roll and balance the mic on in it.

Does the job. There was a wee Yamaha keyboard lying around so we feed that through an electric guitar overdrive pedal to give it a bit of dirt.

The San Diego based artist blends together fashion model images melded by overlapping images, analog effects that bring out the textures and vintage-tek appeal to match the synth-pop snesibility of the artist who has been receiving a lot of local love via the Southern Califonria radio dials of 91X, FM, Taking on a goth-ish rendering of your favorite 80s new romantic idol; beauty here is blended in a carnality collision of all sorts of visual transitions and fazed color pallette schemes to make for a Blade Runner -esque event.

Bodily love is a song about the differences between sex and love. These grey lines can lead to some dark places and I felt like this track was perfect for exploring these ideas.

This is one of my favorite tracks so far. Once the music was finished the lyrics came together quick. He was doing really cool stuff and I knew I wanted to work with him on this one.

We did a cross continent collaboration and came up with this vid. The Russia by US artist Ilya Goldberg bridges the waters of classical form with the new developing designs of electronic audio arts where his masters in classical violin chord progressions meets the infinite ether of digital nether-worlds where anything and everything is possible.

Gabrielle Amani: How did you decide music was the path for you? Giselle Mynx: As a little girl I was always skipping up the constellation of stars on the Blvd.

Gabrielle Amani: Who influences your music now and who would you compare it too? My music box collection when I was a little girl.

Gabrielle Amani: Those are pretty big names. What can we expect from your next project? Giselle Mynx: Honest stories from my heart.

Giselle Mynx: I have tons of new music coming. I wrote a romance novel. Photos by Devlin Shand. Subscribe to our mailing list. Gabrielle Amani I love cake.

Carlos : says:. February 9, at pm. So, I reworked the entire concept to showcase the often lonely and isolating world of a young person in this case a girl who is focused, dedicated and hard-working to better herself that she might acquire the skill to raise herself up in this world to a higher place.

And also hopefully show how much a dedicated and caring teacher can transform our lives for the better.

Giselle believes our society often undermines the importance of growing and maintaining deep connections with others, especially teachers.

She says that the power of caring for one another can transform a person. Where is the grit? Being deeply loved can make us strong, loving has the power to make us courageous.

A teacher can change the course of our lives irrevocably for the better. We all need people in our life like this.

We need each other, we need kindness and to be kind. Human beings are like that.

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